And while the decision to cast Johnny Depp was a bad idea, culturally speaking, he's actually hilarious as the stoic-but-insane Tonto, and he has real chemistry with the charming Armie Hammer. There's a prostitute with an ivory leg that doubles as a rifle, not to mention the mysterious spirit horse that can climb trees and appear on rooftops. There's a cannibal outlaw who feasts on human hearts, a legion of flesh-hungry rabbits, and a mystical stuffed crow that's not quite dead. The Lone Ranger is also incredibly imaginative.
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The cinematography by Bojan Bazelli is sweeping and beautiful, the movie borrows plot points and song cues from Westerns like Once Upon a Time in the West and Little Big Man, and some of the sets feel like they were taken from a Baz Luhrmann movie.
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Its framing device of an aged Tonto living in a carnival show works as a mournful dirge to the Old West, but at the same time, the movie pokes fun at the "Lone Ranger" concept made famous by radio programs and old TV shows. There are so many ideas at play here, from the exploitation of Chinese laborers and the genocide of Native Americans to the takeover of American politics by corrupt corporations. The modern-day humor really adds to this ancient story, making King Arthur: Legend of the Sword a wonderfully weird way to spend a Saturday afternoon. The dialogue is fast and quippy, and the banter feels like something out of Snatch. Guy Ritchie brings his trademark humor to the film, and almost every character acts like a cockney criminal. But there's more going on here than just high fantasy. There are freaky sorcerers, medieval warriors who feel like MMA fighters, and even the Lady of the Lake makes a mystical appearance, grasping Excalibur as she floats through dark, black waters. There are freakish wood nymphs, oversized snakes, and Arthur (Charlie Hunnam) does battle with packs of giant rats and humongous bats. The movie opens with war elephants that tower over castles, and then we watch as a mass of writhing tentacles reveal slimy witches that are part woman, part kraken.
But you can't deny this movie is ambitious, especially when the monsters roll onto the screen.
The broken timeline hurts the story, and the plot gets overwhelming. Admittedly, there are parts of King Arthur that are a chore to sit through.